A STUDY ON THE TRACES OF THE HORSE IMAGE IN THE OTTOMAN MINIATURE ART TRADITION AND THE SEARCH FOR INNOVATION
DOI:
https://doi.org/10.5281/zenodo.15372630Keywords:
Ottoman, Miniature, Horse image, Globalization, Cultural ImperialismAbstract
The horse has a significant place as an image in miniatures expressing Ottoman feelings and thoughts from the past to the present. Horse imagery, which has always been considered as a pleasure to use by Ottoman artists, deserve the affection and values attached to it. It is important to pass on the contemporary Turkish miniature art that emulates Ottoman miniature art to the future generations without degeneration in terms of its stylistic characteristics. The efforts for originality and innovation of the artists who produce original works should be continued by contemporary artists by interpretation of the general principles of miniature art and by repeating, copying and emulating the traditional form with an aim to prevent its’ destruction and degeneration. The research seeks to explore the relationship between local-globalization and global-localization and their effects on miniature art as one of our cultural treasures.
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